Author Type

Faculty

Publication Date

2020

Document Type

Contribution to Book

Abstract

This chapter considers seriality in contemporary television dramas in light of arguments that most popular culture falls within melodrama as modality (to include legal shows, police and detective programs, westerns, and medical series), instead of narrow genres, such as soap operas. The recent success of fully serialized dramas is a noteworthy development, producing highly popular and highly regarded programming. The traditions of melodrama, including its deep commitment to the uses of emotionality, address story worlds and audiences in terms of social relations, in contrast to psychological realism’s more individualized and inward turning tendencies. “Ensemble Storytelling” explores three specific strategies available in melodrama’s engagement with emotionality, by turning to the example of the British serial, River (BBC, 2015). The first strategy considers emotions as a narrative structuring device, constituted by melodrama’s abrupt shifts in emotive tone carrying viewers through fluctuating states. The second strategy focuses on melodramatic performative techniques as emotional expressionism, guided by the impulse to externalize feelings in communicative social interactions, instead of private introspection. Finally, the third strategy recognizes melodrama’s ability to put into play multiple meanings attached to any apparently ‘singular’ emotion, creating complex narratives about emotions.

DOI

10.4324/9781003044772-4/

Book Title

Exploring Seriality on Screen Audiovisual Narratives in Film and Television

Book Publisher

Routledge

Book Editor(s)

Ariane Hudelet and Anne Crémieux

Book ISBN

9781003044772

Document Version

Post Print

Publisher's Statement

Authors can also post the AM book chapter to an open repository or academic social media site (such as Mendeley, ResearchGate or Academia.edu), or a personal or departmental website (including Facebook, Google groups, LinkedIn and Twitter), after an embargo period of 18 months for Humanities and Social Sciences books or 12 months for STEM books.

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