Document Type

Book Chapter

Publication Date

2020

Journal Title or Book Title

The Palgrave Handbook Of Popular Culture as Philosophy

Version

Post-Print

Publisher's Statement

Authors whose work is accepted for publication in a non-open access Springer or Palgrave Macmillan book are permitted to self-archive the accepted manuscript (AM) chapter or section, on their own personal website and/or in their funder or institutional repositories, for public release after an embargo period (see the table below). The accepted manuscript is the version of the book manuscript accepted for publication after peer review, but prior to copyediting and typesetting. Accepted Manuscript Terms of Use Use of archived accepted manuscripts (AMs) of non open-access books and chapters are subject to an embargo period and our AM terms of use, which permit users to view, print, copy, download and text and data-mine the content, for the purposes of academic research, subject always to the full conditions of use. Under no circumstances may the AM be shared or distributed under a Creative Commons, or other form of open access license, nor may it be reformatted or enhanced. © 2020 The Author(s), under exclusive licence to Springer Nature Switzerland AG

DOI

10.1007/978-3-319-97134-6_32-1

Abstract

Grey’s Anatomy focuses on the personal and professional life of protagonist Meredith Grey. Throughout the long series, a consistent theme is that the audience is confronted with moral dilemmas in Meredith’s professional work with patients as well as in her personal life. Grey’s decision-making often breaks professional protocol in order to do what she believes is best for her patients and those close to her. We argue that Grey’s approach to morality is representative of Simone de Beauvoir’s approach in The Ethics of Ambiguity. In this text, Beauvoir argues that an existentialist ethic must reject a childlike approach to morality in which moral rules are absolute and moral dilemmas have obvious answers. Instead, she argues for a rejection of universalist ethics in favor of acknowledging the ambiguity of the moral realm. By tracing Meredith’s decision-making throughout the course of different seasons of the show, we argue that Meredith exemplifies an existential authenticity compatible with Beauvoir’s existentialist approach to ethics.

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Book Title: The Palgrave Handbook of Popular Culture as Philosophy

Book DOI https://doi.org/10.1007/978-3-319-97134-6

Editors: David Kyle Johnson, Dean A. Kowalski, Chris Lay, Kimberly S. Engels

Print ISBN 978-3-319-97134-6

Online ISBN 978-3-319-97134-6

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