This series highlights faculty work from the Communications Department. It is not limited to published articles but can include any type of published or unpublished works such as: articles, books, book chapters, book reviews, conference proceedings, data sets, editorials, keynotes, grey literature, lectures, presentation, posters, reports, and white papers. Each work’s record page includes all available citation information.
Submissions from 2016
A Cultural Approach to Emotional Disorders: Introduction, E. Deidre Pribram Ph.D.
"Yeah? Well, MY god has a HAMMER!": Myth-Taken Identity in the Marvel Cinematic Universe, Jeff Massey Ph.D. and Brian Cogan Ph.D.
Submissions from 2015
Introduction: What is New and Digital Media?, Thomas Kenny MA and Jamie N. Cohen MA
Submissions from 2014
Feeling Bad: Emotions and Narrativity in Breaking Bad, E. Deidre Pribram Ph.D.
Submissions from 2011
Emotions, Genre, Justice in Film and Television: Introduction and Chapter 1, E. Deidre Pribram Ph.D.
Submissions from 2009
Cold Comfort: Emotion, Television Detection Dramas, and Cold Case, E. Deidre Pribram Ph.D.
Submissions from 2007
Submissions from 2004
Losing our cool? Following Williams and Grossberg on emotions, E. Deidre Pribram Ph.D. and Jennifer Harding
Submissions from 2003
What Do I Get? Punk Rock, Authenticity, and Cultural Capital, Brian Cogan Ph.D.
Submissions from 2002
Psychic Cleavage: Reading the Art Against the Politics in Independent Film, E. Deidre Pribram Ph.D.
The power of feeling: Locating emotions in culture, E. Deidre Pribram Ph.D. and Jennifer Harding
Submissions from 1999
Spectatorship and Subjectivity, E. Deidre Pribram Ph.D.
Submissions from 1997
Viewer Discretion Advised: Moral and Emotional Codes in NYPD Blue, E. Deidre Pribram Ph.D.
Submissions from 1996
Sleepless in Seattle: Three Writers, Three Concepts, E. Deidre Pribram Ph.D.
Submissions from 1994
"M.F.E.O.:" Nora Ephron's Sleepless in Seattle, E. Deidre Pribram Ph.D. and Jeanne Hall
Submissions from 1993
Straight Outta Money: Institutional Power and Independent Film Funding, E. Deidre Pribram Ph.D.